| (...) Girieud depicts the landscape of Sisteron and enlivens it with a tribute to Paul Arène. Nymphs, demi-gods, wise men, ladies in love classes talk about the writer who wrote Pan's death and noted the light chronicle of the laziness of noon, not without picking pretty bouquets from the cobblestones of Paris . Around, in a clear spring, ruinous castles and bell towers, church presiding over a day brings, a day of soft light. Girieud's talent, sometimes a little severe, was enlightened with a ray of real grace. (...) |