| We find Pierre Girieud, throughout
beginning of this century, among the innovators,
although the aesthetic guidelines that
tempt him hardly approach the fauves, the cubists, or, even, the neo-
impressionists. It stands apart with its unbiased palette and its kind of realistic romanticism. Today, at Druet, he presents to us with a few portraits and the interesting interpretation of a Cranach a series of landscapes in the Alpilles and around which he populates, according to the poetry of the motif, with a shepherd with his flock or of mythological figures.
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